Download A Word Fitly Spoken: Poetic Artistry in the First Four by Les D. Maloney PDF

By Les D. Maloney

A be aware Fitly Spoken explores major poetic units in the 4 alphabetic acrostic psalms present in ebook I of the Psalter. the vast majority of scholarly opinion has been that those acrostics are poetically and artistically poor as a result writers’ and editors’ preoccupation with the alphabetic development. unlike this view, A notice Fitly Spoken proposes that the acrostic trend contributes to, instead of detracts from, the poetic artistry of those psalms. that allows you to advertise a holistic, canonical examining of the 4 acrostic poems inside of booklet I of the Psalter, this learn additionally examines the linguistic and grammatical connections in the textual content. one of these shut analyzing again and again demonstrates the emotive strength and the mind's eye of this literature in contradiction to its supposedly stiff, wood nature. A notice Fitly Spoken is attuned to the common performs on notice and sound that take place all through those 4 poems and as such will be worthy in graduate classes on biblical interpretation, Hebrew poetry, or the Psalms.

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Extra resources for A Word Fitly Spoken: Poetic Artistry in the First Four Acrostics of the Hebrew Psalter (Studies in Biblical Literature, Volume 119)

Example text

6 Jakobson continues to discuss the issue of intuition: Phonology and grammar of oral poetry offer a system of complex and elaborate correspondences which come into being, take effect, and are handed down through generations without anyone’s cognizance of the rules governing this intricate network. The immediate and spontaneous grasp of effects without rational elicitation of the processes by which they are produced is not confined to the oral tradition and its transmitters. Intuition may act as the main or, not seldom, even sole designer of the complicated phonological and grammatical structures in the writings of individual poets.

38 The wicked is thus caught “in the work of his own hands” (v 17; cf. 5:11; 7:16–17; 10:2; 37:15 and Obad 15). 39 Before leaving 9:4, another poetic device should be noted. This device has to do with another key or repeated word, the word db). ”40 The first three of these occurrences constitute another case of the rhetorical device of intensification that was introduced earlier in connection with the repetition of the term bw#$ in vv 4 and 18. The first occurrence of db) in v 4 describes the fate of the enemies—they perish or are destroyed before him.

The study will highlight the functions of the various poetic devices used. The devices considered will include grammatical and phonemic as well as (artistic) semantic components. The point will be to demonstrate the emotive power, the imaginative nature, and the creativity of this literature in contradiction to its supposedly stiff, wooden nature. , all of the acrostics in a specific division of the five-fold Psalter) and yet, resisting the urge to classify the acrostics as to form. Instead, the focus of this study will be to emphasize the rhetorical and poetical structure of the first four acrostics in the Psalter.

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