Download Between Two Cultures: Late-Nineteenth- And Twentieth-Century by Wen C. Fong PDF

By Wen C. Fong

Between Cultures, via Wen C. Fong, in keeping with a variety of contemporary chinese language work from the Robert H. Ellsworth assortment within the Metropolitan Museum of paintings, explores the the most important interval from the 1860s to approximately 1980, while chinese language portray was once reworked right into a sleek expression of its classical historical past. not like classical chinese language portray relationship from earlier than 1860, which has commanded in-depth examine from a realized and complicated viewers within the West, smooth chinese language portray has been little explored. the 1st complete assemblage within the West of work in this topic, the Robert H. Ellsworth assortment contains works within the classical chinese language medium of ink on paper and within the conventional codecs of scrolls, album leaves, and fans.

the quantity bargains with either traditionalist and modernizing chinese language masters from the comparative views of East and West, conventional and glossy. Dr. Fong starts his exploration with the final revival of conventional chinese language paintings, that of the epigraphic institution of portray, and the increase of a populist artwork within the past due 19th and early 20th centuries within the cosmopolitan urban of Shanghai. His dialogue maintains with painters who absorbed the teachings of Western realism, which they considered as a part of Western technology and know-how. precise cognizance is dedicated to Xu Beihong (1895–1953) and Fu Baoshi (1904–1965), who the lessons, respectively, of the École des Beaux-Arts in Paris and the japanese Nihonga variety. The paintings of 3 nice traditionalist masters, Qi Baishi (1863–1957), Huang Binhong (1865–1955), and Zhang Daqian (1899–1983), is additionally analyzed, with emphasis put on Qi and Zhang as specialist populist painters. this is often by means of a dialogue of portray in mainland China from approximately 1950 to the Nineteen Eighties through the second one iteration of artists and academics within the nationwide academies. those painters, having been knowledgeable through traditionalist and Western-style lecturers, built their very own colleges of effect of their look for a brand new synthesis of chinese language and Western methods.

one of many principal questions posed within the booklet is, what's "modern" in twentieth-century chinese language portray? a few view modernity because the Westernization of chinese language artwork; others look for components of modernity in chinese language portray background. The publication closes with the author's personal reflections on realism, expression, and modernity and, extra particularly, the query of creativity in either conventional and glossy chinese language portray. [This ebook was once initially released in 2001 and has long past out of print. This variation is a print-on-demand model of the unique book.]

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