Download Collage, Paint, Draw: Explore Mixed Media Techniques and by Sue Pelletier PDF

By Sue Pelletier

University, paint and draw to discover a brand new facet of mixed-media paintings and burst off the crushed path!

Celebrate the day by day trip of existence as you create inventive mixed-media initiatives. In college, Paint Draw, you'll find out how to use heart-felt pictures as a place to begin to leap into the area of mixed-media paintings, fabrics and strategies. utilizing symbols similar to the center, the house, a child's toy, and a classic costume, you'll discover ways to try out anything (everything!) new. You'll how one can use instruments and fabrics in either conventional and inventive methods and to make paintings that comes from the heart.

Paint what you're keen on & love what you paint!

More than 30 concepts together with drawing, portray, including texture and more
More than forty different fabrics featured, from the standard (pencils, paint, gel and texture mediums) to the original (hardware shop tapes and texture additive for paint, wire, cord and more)
More than 30 mixed-media tasks with easy, significant motifs

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Extra resources for Collage, Paint, Draw: Explore Mixed Media Techniques and Materials

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In Diana and Actaeon (1556–59) Titian selects the moment when Actaeon accidently interrupts Diana as she secretly bathes surrounded by a group of sensual and voluptuous female nudes. The drama of the scene is enhanced by the rhythmic poses of the figures and the subtle yet sparkling light which touches their skin. Titian’s fluid brushwork and his use of vivid colour further animate the movement and drama within this painting. Giorgione (c. 1477–1510) The Tempest is one of Giorgione’s last paintings, and the allegorical meaning of this late work is still unsure.

It measures almost 5m by 7m and depicts an event of such human tragedy it caused a great furore when it was first exhibited; it showed great realism in the horror and suffering not only of the event itself but also of the political implications that followed. The painting shows a scene from a contemporary event with the grandeur of the greatest of Romantic images. In 1816 a French Royal Navy frigate set sail for Senegal but it never reached its destination. The ship ran aground on a sandbank and there were not enough lifeboats so a raft was built for the remaining 150 men and this sailed for thirteen days.

40 The heroic nude and the Renaissance Michelangelo Buonarroti (1475–1564) The culmination of the ideals and philosophies of the High Renaissance are witnessed in Michelangelo’s masterpiece, the Sistine Chapel. In these frescos we clearly see the influence of the art of antiquity, particularly the art of Ancient Greece with the fusion of natural beauty and ideal beauty brought together. In 1508 Michelangelo (1475–1564) began the huge task of the painting of the vaulted ceiling of the Sistine Chapel in the Vatican, Rome.

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