Download Des truites à la tomate by Philippe Poloni PDF

By Philippe Poloni

Dans ce suspens aux allures baroques, il n’y a qu’un seul coupable et il s’agit d’un tableau, Le Carré blanc sur fond blanc de Kasimir Malevitch. À reason de lui, des individus seront amenés à commettre des crimes. los angeles mort comme métaphore devient ainsi le aspect primary d’une recherche esthétique troublante.

Dans un variety grinçant, Philippe Poloni nous conduit dans une histoire aux développements rocambolesques. Ses personnages bigarrés nous entraînent successivement dans los angeles mort des arts et l. a. mort tout court docket. Rien de moins !

John Di Homogrosso, gardien au Musée d’art moderne de long island, remarque un homme qui vient toujours contempler le même tableau. Voulant savoir pourquoi quelqu’un peut s’intéresser tant à un carré blanc sur fond blanc, il décide d’aborder le mystérieux visiteur. C’est ainsi qu’il apprend que cet homme, un artiste en trend du nom de Cosmo Maffia, ne peut plus peindre depuis qu’il a vu cette œuvre. À ses yeux, les limites de los angeles peinture ont été atteintes, rien ne peut surpasser cette toile.

James de Carton, le galériste responsable de l. a. carrière de Maffia, est désespéré. Que va-t-il vendre à sa clientèle sélecte si Cosmo Maffia refuse désormais de peindre? D’autant plus qu’une autre artiste courue dans le Tout long island, Anita Braun, vient aussi de quitter son écurie à reason d’un melanoma qui l’arrache à los angeles vie pièce par pièce et qui lui gruge toutes ses énergies.

Deux artistes cessent donc de peindre au même second. Intrigués par les motivations de chacun, Braun et Maffia se rencontrent. Pour se sortir du gouffre artistique dans lequel ils se trouvent, Anita Braun va proposer à Cosmo une nouvelle manifestation esthétique : l’homicide comme l’un des Beaux-Arts. Soigneusement choisies par Anita Braun, les victimes vont rapidement se succéder. Mais Cosmo se met à douter des nobles intentions artistiques de sa collègue et les meurtres commencent à lui peser lourd sur los angeles conscience…

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Additional info for Des truites à la tomate

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This planar structure is essential if the details on the surface of those planes are to make sense. 2 Define the Contours Like the first approach, this method moves from a general statement of form toward a more specific description, introducing the surface details at the very end. 3 Add the Values Any addition of value, whatever the technique, must be preceded by an understanding of the volume, size relationships, positional relationships and the angles of the forms in space. Anything short of a dedicated search will result in a faulty construction that no amount of shading and surface details will ever resolve.

Seeing them develops your search muscles. Practice on magazine photos. Get in the habit of looking for angle relationships. You will eventually spot them immediately. Exercise 2: Finding Similar Sizes See how many edges and distances you can find in this figure that are the same length as the angle I have marked. I have indicated one to get you started. There are at least eight more. It's best to scan first, then check to verify. This will train you to see these similarities. Points of Reference We use points of reference all the time when giving directions.

Note where the tip of the pencil comes again and move your thumb up to that point. The length you marked off on the pencil with your thumb is one-third of the first edge. 5 Correct the Size Relationship Go to your drawing and divide the first line you drew, the one representing the left side, into thirds. You now know the length of the top angle. No matter how long you made that first line, the second line is one third as long. You are using the pencil to get the same size relationship in your drawing — not an actual measurement, but a comparison.

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