This 102-page book is a set of velocity portray tutorials, which were created through a number of the best electronic painters round this present day. the belief at the back of this educational sequence was once for the artist to interpret a one-line descriptive short, create a pace portray from it after which produce an academic exhibiting and explaining every one degree of construction of the paintings. a number of the artists have additionally kindly created a few special brushes which are downloaded on the finish in their velocity portray tutorials. This downloadable PDF publication will be in such a lot second software program applications that aid paintbrushes and layers.
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This 102-page e-book is a suite of velocity portray tutorials, which were created via a few of the most sensible electronic painters round this present day. the belief at the back of this instructional sequence used to be for the artist to interpret a one-line descriptive short, create a velocity portray from it after which produce an academic displaying and explaining each one degree of creation of the paintings.
Extra info for Zoo Publishing - Speed Painting Vol.1
To give the tornado a more destructive feeling I introduced some new colours to it, using browns, oranges and reds to create the dust clouds surrounding the tornado. Here, as before, I used low opacity on the brush strokes. An image crop was also done to put more focus on the tornado. Re-using to Create New Fig06 - 08 illustrate the process moving forward. com page 42 Speed Painting V1 Speed Painting Chapter 04 same colours and shapes. I introduced a new Curves (the most precise way if you really want they do.
Conclusion The finished picture can be seen in Fig 12. I am happy with the final result but as with any speed paintings the temptation is to get carried away with unnecessary details. I spent just over two hours on making this image and feel it was a useful exercise. I may well attempt to paint another image on the same theme, except next time limit myself to one hour, just to see how the result compares. The crucial lesson to bear in mind with this type of painting is to acquaint yourself with the subject matter beforehand and have as clear an idea as possible about composition and colour schemes before you begin, as it will inevitably save you much time during the painting process.
Also, using a simple brush, I added page 30 Speed Painting V1 Speed Painting Chapter 03 some random strokes around the splash to widen the spray, as well as some swift random marks to add more definition to the water. I put in some evidence of railings and a few highlights and finally used a large soft airbrush to lighten the horizon and water and to paint in some simple suggestion of clouds. Conclusion The finished picture can be seen in Fig 12. I am happy with the final result but as with any speed paintings the temptation is to get carried away with unnecessary details.